Kristians Brekte : Kristians Brekte is socially engaged artist who has participated in projects of various scale and already earned the reputation of a somewhat controversial creative figure. Brave depicting of differently perceived world which is plentiful of fantasy, is a base for the artist's various activities which have been infuriated numerous fellow citizens. The fact that he pretty often brakes the bounds between sacred and forbidden themes, partly derives from his experience of eager graffiti artist. The range of his artistic outlets is seemingly endless, from monumental ironic figurative compositions charged with powerful energy and seamlessly combining vast and free painting style, emphasized brutal brush strokes and local colour with brilliantly executed realistic representation in the stencil technique, to experiments in the area of organic sculpture. The dominating feel of the works is clear and easily recognizable: they deal with the line between the human and the animal realms, with death, the mythical element and sexuality. Brekte has been featured in Artist Directory ``Younger that Jesus`` published by Phaidon Press in 2009. It includes over 500 of the world`s best artists under the age of 33 and is edited by proffesionals like Lauren Cornell, Massimiliano Gioni (The creative director of 55th Venice biennale) and Laura Hoptman. Ēriks Apaļais : Andris Breže : Andris Breže (1958) graduated from the Art Academy of Latvia’s Design (formerly Industrial Art) Department. He has participated in exhibitions since 1977. He was one of the members of the group of Supergraphic Artists who created expressive works of graphic art in the 1980s in the medium of large format screen printing. He was nominated for the Purvītis Prize for his most recent personal show “A Life of Peace” (Galerija Alma, 2013). Under the pseudonym Andris Žebers, Breže has published three collections of poems: “Tattoos” (Liesma, 1988) and together “Vodkas/Side Effects” (Neputns, 2007). For these, he received the Klāvs Elsbergs Prize for best debut, the Aleksandrs Čaks Prize and the Annual Literature Prize for the year’s best collection of poems. Māra Brīvere : Māra’s painting reflects the artist’s path to liberation manifested through rejection of everything superfluous. This is characterized by emotional measurements precisely captured right down to the last millimetre, which are both personal and fragile. In hushed tones, with impressions akin to lines of chalk, and highlighting the value of simplicity and humility, Māra forms a reflection of her own subjective reality. She “portrays” signs or road signs, which help one to see clearly, without the sediment of domestic pollution or the context of the age. Scrupulously and laboriously conceived large-format paintings or momentary vestiges tell of our unity with nature, the primordial origins of the world, the unjustifiable seismic jolts of fate and the imperceptible expanses of her roots and soul. Kristiana Dimitere : "Kristiana`s art is live theatre, captured in mid-motion. The vivid colours conceal within themselves an omen of fate, which is also always present in the eyes of the characters and sometimes even outside of the picture." This description by the artist`s mother, legendary Latvian actress Vija Artmane, helps understand the complicated world of Kristiana Dimitere`s art. She`s equally comfortable sculpting, painting, drawing, illustrating, and creating stage sets and animations. The trump card of Kristiana Dimitere`s art is the plasticity of her shapes and the recognisable lines which tame the artist`s vibrant, fantastic characters so akin to the aesthetics of naïve art. Ivars Drulle : Barbara Gaile : Barbara Gaile is one of the more unorthodox representatives of Latvian contemporary art. The source and solution of her self-expression is in her thorough, complete and self-sufficient brand of minimalism. THE ORGANIC WORKS OF BARBARA GAILE It is common to break down contemporary art into various trends, to single out tendencies, establish conceptions and strategies, emphasise discourses, describe contexts, recognise conventionality and engage in other similar analytical procedures. This is normal for professional critics and art historians; it helps the audience of contemporary art to orient itself across the manifold space of the latest artistic culture. However, there are artists whose works are ill-suited for such analytic systematisation. One should also note that these are not outsiders but remarkable, talented artists. Of course, Mark Rothko, Cy Twombly, Yves Klein and Agnes Martin can be categorised as abstract artists but this does not help us much to understand their works. In addition, this inclusive definition tends to set them apart from the current trends in contemporary art but their art continues to attract us and is perceived as the best in contemporary painting. It seems to me that the works of Barbara Gaile coincide with various conceptual strategies in contemporary art (such as field painting or salient painting) but first of all they relate to some exceptionally profound and strong artists. Besides those mentioned above, I could add other wonderful and radically different artists: Louise Bourgeois, Kaze Zimblyte, Rachel Whiteread, Mona Hatoum… Each of them features a distinctive evocative quality that is also typical of Barbara Gaile’s works. She, like the other artists mentioned, pays particular attention to the technological side of making an artwork, turning the process of creativity into an ecstatic procedure and expecting the appropriate perception from the viewer. Barbara avoids a painterly approach, favouring texture instead; while emphasising the origin of colour in light and retaining the self-sufficient value of pigment, she preserves its “sound” but not its materiality. The materiality of Barbara’s works is recreated; it is different - like the materiality of a living organism… At the same time, the question of materiality recedes into the background; much more important is the life of that which Barbara has created and which would be difficult to call a painting in the traditional sense. It is life and interaction with us as spectators. The suggestive character of the works is so strong that they put us in a state of sustained contemplation and meditation. Barbara’s works appear to stand openly before the viewer yet at the same time they are closed in their autonomous existence. There is no open expression or narrative. It seems that we are contemplating some kind of living organisms, bodies with healed scars and opalescent skin… It is no longer either salient painting or still life but salient life – life created by the artist. I get the impression that Barbara Gaile has now reached a certain peak in her artistic development, so convincingly does she cultivate her mastery, so stable is the technological side of her painting and her organic creative position. The originality of Gaile’s creativity expands the space of Latvian contemporary art; it gives the most recent art in the world added value and undoubtedly has its audience. Leonid Bazhanov Art critic, artistic director of the Russian National Centre for Contemporary Art Daiga Krūze : Ernests Kļaviņš : Through the simple / playful use of colour, drawing and animation, the intelligent provocateur has conjured up fables that make us smile and think... The titles of the works are important for decoding the connections – they serve as rejoinders. Verners Lazdāns : "I'm interested in the incomprehensible in nature – in savagery that contains much undiscovered pre-programmed genuineness. When creating an artwork, I strive to achieve that the painted character becomes a symbol for an emotional state or trait. Perhaps in this image you will find something I haven’t noticed by myself because  of my partly intuitive manner of painting, which is not previously thought out in details. I avoid explanatory  ambience – landscapes and interior because I wish to focus on the image itself. I don’t consider the place where the character stands is so important neither the reality which overwhelms the image, but  relevant is the fact of its essence. The form of my human animals is often inspired by nature - by some animal, piece of rock, part of a bone, piece of wood and ore or even by a natural phenomenon." Verners Lazdāns Zenta Logina : "The identification signs of Zenta Logina are cosmic themes and usage of abstract shapes. Although both of them seem to be incompatible – there is no need to search for depiction and definite thematic in abstraction – the artist had been obviously interested in both during a long period of time – from the 60ties till the end of her life in 1983. Besides the interest there was also a hard work that helped Zenta Logina to find her own original way of melting pure arts– enchantment of colors and shapes – togeather with images taken from cosmos research and supplementing it with great share of universalized symbolism Not only innovative values of composition and extravagant stories but also a quality that is traditionally typical to Latvian art – refined sence of color, a skill of making them attached by special lucidity and ‘sonority’ - are features that make Logina’s artworks able to enchant. Creating works in similar colouring or more rarely - in contrasting compositions of paint artist has often used glaze, loosening of surface, patina and subpainting techniques and such materials as varnish and bronze and aluminium powders. Uncommonly consistant focusing on abstraction and choice of themes have raised lack of understanding each during different particular periods and have made mistrustful attitude of authorities of government and art field against works performed by artist. This has inconvenienced her work a lot and restricted posibilities to reach the audience. Zenta Logina was excluded from The Artists' Union of Soviet Latvia in 1950 because of formalism. Her dedication to abstraction was considered as being too radical in Soviet art." Vilnis Vējš Krišs Salmanis : Krišs Salmanis (1977) studied in the Art Academy of Latvia’s Visual Communication Sub-Department and at the Academy of Media Arts in Cologne. Having participated in exhibitions since 2001, he has twice been nominated for the Purvītis Prize for the exhibition Lost (Riga Art Space, 2009), and subsequently for the video animation “The Long Day” (Festival Survival Kit 4, 2012) and the exhibition “The Fragility of Trust” (Galerija Alma, 2012). In 2011, he was one of the finalists nominated for the prestigious Henkel Art Award. In 2013, together with artist Kaspars Podnieks, he represented Latvia at the 55th Venice Art Biennale with the pavilion North by Northeast. Reserved, melancholic, intellectually justified and visually filigree - this briefly describes the artist Krišs Salmanis, who is no doubt one of the brightest representatives of contemporary art in Latvia. Krišs Salmanis uses animation, video, photography, objects as well as his body, trees etc in his art. However, it is neither the media used, nor the unifying themes, but rather the employed method what characterizes his work. In Latvian there is not an appropriate synonym for the word 'joke' to denote that the element, which in Salmanis’ work can be perceived as irony or humour, is instead mental excersise, intellectual activity, wit as a twist of thought. Another important aspect is formulated best by the artist himself, using Kurt Vonnegut’s idea of the complicated futility. The making of Salmanis’ work is often seemingly unnecessarily time- and effort-consuming. It is a kind of self-invented craftsmanship, which, even if unnoticed by the spectator, is a vital component of the final piece. The work of Krišs Salmanis is the process of thinking and the way of passing one’s life. Conceptual clarity and poetic polysemy co-exist in Salmanis’ art. Painstakingly elaborate, the works are thought out to the tiniest detail; they are often quite minimalist as to artistic expression and defined by their unexpected paradoxicality and intuitive quest for the truth combined with subtle irony and existential sadness. The artist works in a variety of media, including animation, video and object installation, occasionally using his own body in his art. Aija Zariņa : Renesanse, Renaissance Psihedēlija Klusajā centrā _ 25.02. - 12.04.2006., Psychedelia in the Quiet Centre _ 25.02. - 12.04.2006. Kristaps Ģelzis _ Home Video _ 10.12.2008. - 30.01.2009., Kristaps Ģelzis _ Home Video _ 10.12.2008. - 30.01.2009. Kristīne Kursiša _ Ārpus kontroles _ 26.09. - 22.10. 2009., Kristīne Kursiša _ Out Of Control _ 26.09. - 22.10. 2009. Mūsu laika ikonas _ 27.10. - 14.12.2009., Contemporary Icons _ 27.10. - 14.12.2009. ARCOmadrid 2010 _ Gints Gabrans _ 17. - 21.02. 2010., ARCOmadrid 2010 _ Gints Gabrans _ 17. - 21.02.2010. Jānis Blanks _ Personālizstāde _ 27.03. - 30.04.2010., Jānis Blanks _ Solo show _ 27.03. - 30.04.2010. Kristians Brekte _ Rīgas madonnas _ 25.10. - 17.12.2010., Kristians Brekte _ The Madonnas of Riga _ 25.10. – 17.12. 2010. Otto Zitmanis _ Otto dusmas _ 14.01. - 01.03.2011., Otto Zitmanis _ Otto`s Anger _ 14.01. - 01.03.2011. Gints Gabrans _ Asinsgaisma _ 8.03. - 22.04.2011., Gints Gabrans _ Bloodlight _ 8.03. - 22.04.2011. Ivars Drulle _ Balstīts uz patiesiem notikumiem _ 27.04. - 10.06.2011., Ivars Drulle _ Based on True Stories _ 27.04. - 10.06.2011. Zenta Logina _ Constellation _ 11.07. - 02.09.2011., Zenta Logina _ Constellation _ 11.07. - 02.09.2011. Ernests Kļaviņš _ Karš starp titāniem un rūķīšiem _ 28.11. - 02.12.2011., Ernests Kļaviņš _ War Between the Titans and Gnomes _ 28.11. - 02.12.2011. Kristiana Dimitere _ Sekulārā rezonanse _ 12.12.2011. - 10. 02.2012. , Kristiana Dimitere _ Secular Resonance _ 12.12.2011. - 10. 02.2012. Verners Lazdāns _ Nativus _ 15.02. - 23.03. 2012., Verners Lazdāns _ Nativus _ 15.02. - 23.03. 2012. Kristians Brekte _ Absolūtais ļaunums _ 2.04. - 17.05.2012. , Kristians Brekte _ Absolute evil _ 2.04. - 17.05.2012. Krišs Salmanis _ Uzticēšanās trauslums _ 28.05. - 27.07.2012., Krišs Salmanis _ The fragility of trust _ 28.05. - 27.07.2012. Andris Breže _ Miera Dzīve _ 5.10.2012. - 09.01.2013, Andris Breže _ A Life of Peace _ 5.10.2012. - 09.01.2013 Daiga Krūze _ Slēpnis _ 11. 02. - 02. 04. 2013., Daiga Kruze _ Hideout _ 11. 02. - 02. 04. 2013. Kristians Brekte _ 15.04. - 17.05.2013., Kristians Brekte _ 15.04. - 17.05.2013. Ivars Poikāns _ 9.09. - 8.11.2013, Ivars Poikāns _ 9.09. - 8.11.2013 Ivars Drulle _ Jums tūlīt atlaidīs _ 22.11.2013. - 24.01.2014., Ivars Drulle _ You’ll be pardoned forthwith _ 22.11.2013. - 24.01.2014. Reinis Virtmanis _ Nemiegs _ 3.02. - 7.03.2014, Reinis Virtmanis _ Dis-sleeping _ 3.02. - 7.03.2014 Verners Lazdāns _ 14.03. - 11.04.2014, Verners Lazdans _ 14.03. - 11.04.2014 Andris Eglītis _ Netīrais Modernisms _ 6.05. - 6.06.2014., Andris Eglitis _ Dirty Modernism _ 6.05. - 6.06.2014. Molekulārās Dzīves Metamorfozes _ 20.06. - 15.08.2014, Metamorphoses of Molecular Life _ 20.06. - 15.08.2014 Kaspars Zariņš _ Bez norādēm _ 8.09 – 31.10. 2014, Kaspars Zariņš _ Without guidance _ 8.09 – 31.10. 2014 Kristians Brekte _ Beigts nav miris _ 24.11.2014 - 09.01. 2015, Kristians Brekte _ Dead Ain`t Gone _ 24.11.2014 - 09.01. 2015 Ernests Kļaviņš _ Nirējs _ 19.01. – 17.02. 2015, Ernests Kļaviņš _ Diver _ 19.01. – 17.02. 2015 Aija Zariņa _ RA i nis _ 26.02. - 20.03. 2015, Aija Zariņa _ RA i nis _ 26.02. - 20.03. 2015 Popper Magazine _ Virs zemes _ 27.04. - 10.04. 2015., Popper Magazine _ Above the Ground _ 27.04. - 10.04. 2015. Andris Breže, Krišs Salmanis _ 05.05 - 05.06. 2015., Andris Breže, Krišs Salmanis _ 05.05 - 05.06. 2015. Māra Brīvere _ Zilās vēnas _ 22.06. - 24.07.2015, Māra Brīvere _ Blue veins_ 22.06. - 24.07.2015. Sarmīte Māliņa, Kristaps Kalns _ Bailes Nav _ 7.09. - 11.11. 2015., Sarmīte Māliņa, Kristaps Kalns _ No Fear _ 7.09. - 11.11. 2015 Ojārs Pētersons _ 22.01.- 11.03.2016., Ojārs Pētersons _ 22.01.- 11.03.2016. Camille Henrot, Māra Brīvere, Daiga Grantiņa _ Haosa Harmonija _ 9.06.-5.09.2016., Camille Henrot, Māra Brīvere, Daiga Grantiņa _ The Harmony of Chaos _ 9.06.-5.09.2016. Ēriks Apaļais _ Le Cygne _ 07.09. - 14.10.2016., Ēriks Apaļais _ Le Cygne _ 07.09. - 14.10.2016. Ivars Drulle _ Manai Dzimtenei _ 30.11.2016. - 20.01.2017., Ivars Drulle _ To My Homeland _ 30.11.2016. - 20.01.2017. Verners Lazdāns _ Rītdiena nav apsolīta _ 06.02. - 03.03.2017., Verners Lazdans _ Tomorrow isn`t promised _ 06.02. - 03.03.2017.
 
 
 
Art, when represented and interpreted in accordance with its depth and scope, is in demand.

The idea and concept of Alma Gallery is built on stable foundations, acquired over many years of professional activity. The founders of the gallery – artist Astrīda Riņķe and art historian Ilva Krišane.

The gallery was founded in 2005 with the goal of promoting new Latvian contemporary art. Its characteristic mentality is not exotically vived with a view to being identified in the moment, but instead reserved in Nordic manner,with a slow sense of time; a poetically conditional – value in the dialectic between local and global.
Alma Gallery is located in the so-called Quiet Centre of Riga in an Art Nouveau building at 1 Rūpniecības Street. It is open to visitors on Mondays, Tuesdays, Wednesdays, Thursdays and Fridays, 12 pm – 6 pm; appointments can be arranged for any other time by calling +371 67322311 or +371 29155572.

Perceiving the gallerists` ideas on the tasks, purposes, intentions and mission of the gallery it would appear a "next generation" gallery has been born in Riga. So much idealism on the one hand, so many constructive observations on the other.

 
/ Inga Šteimane, Editor-in-Chief of the Kultūras Forums weekly./
Opening Hours 12 pm – 18 pm

Monday
Tuesday
Wednesday
Thursday
Friday

1 Rupniecibas Street
Riga, LV-1010
Latvia

Phone:   +371 67322311
  +371 29155572
Fax:   +371 67274755

E-mail: alma@galerija-alma.lv
print
29.05. - 21.07.

Alone Together

by Evelina Vida and André Vida

In the exhibition artists will conceive a meditation in concentric rhythmic cycles, sounding into the two rooms of Alma Gallery through video, ceramic, sculptural, and automated objects. The ebb and flow of the music emits in time from each object, creating momentary presences in the space. The works call back and forth with each other creating a fragile ever changing atmosphere.
ABOUT THE ARTWORKS
In one of the artworks called `Wanderlust`, large hat (designed by Beatrise Gore) moves around the floor. When it hits anything it sounds out klanging and keeps turning until its path is free. As `Wanderlust` moves between the two rooms of the gallery it starts bumping into the wall where the video `Alone Together` is projected. In the video, André Vida is holding a plastic sliding self made musical wind instrument. He stands in a clearcutting in the Latvian forest, behind him is a person (Pauline Recke) who is fingering his face like a saxophone and breathing into the back of his neck. The two performers play in equilibrium, leading and following in turn with each other. The ritual gestures of power expressed between the two reinforce the unaltered identities of each performer.
As the low glissando of the pvc instrument of `Alone Together` sings through the gallery, `Wanderlust` hat bumps into the edge of `A Low Flying Cloud` – a slightly elevated three meter wide island in the front room of the Gallery. The hardwood floor of the front room is transformed into the sea. The island carries drawings and bird prints (drawn in collaboration with Agnese Sidrevica). `A Low Flying Cloud` is accompanied by a slowly developing and subtle musical composition, a meditation inspired by a Lawrence Weiner piece `THE WEIGHT OF THE LIGHT / FROM ABOVE / BROUGHT TO BEAR ON THE FROTH / OF THE WAVES ON THE SEA.

The walls of the front room of the Gallery are supporting strangely shaped ceramic objects: beaks, mouths, and clouds, that organise into a fragile and quirky solar system. Amongst the ceramics, selected drawings by Evelina Vida depict the house of the folk-tale character Baba Yaga. The small house on chicken feet rotates as Baba Yaga, the old wise woman and witch brews her concoctions inside. Whether her intentions are benevolent or evil, she provokes transformation. The characters of the Baba Yaga folk stories are often unable to go back to their old ways or forms. The image of the house on chicken legs brings the viewer to `One Step Bawk` –a ceramic bowl on a stand. From the outside it looks like a planet, yet when you walk up and look in, you see chickens doing a ritual, stepping back and forth. There is a song coming from inside the bowl. It sounds like a shaman singing with a choir of chickens.
ABOUT THE ARTISTS
Evelīna Vida (1978) lives and works at Riga, Latvia and Berlin, Germany. 
She has represented Latvia at the 53rd Venice Biennale (2009). Her art works have been presented at the 15th Sydney Biennale (2006), the 2nd Moscow Biennale (2007), Manifesta 7 (2008), 12th Cairo Biennale (2010), Nordic Art Biennale, Sweden (2013) and solo shows in Latvia, Germany, Holland, and Italy.
 Evelina Vida uses mixed techniques in her work, experimenting with sound and visual elements. Her conceptual approach is tempered by existential moods and human experiences, creating a space where sorrow collides with happiness and drama is diffused with humor. 


WORKS IN PUBLIC COLLECTIONS 

2013 “Season Sorrow", Latvian Museum of Contemporary Art, Riga, Latvia 

2010 "Unrest" N.B.K. Neuer Berliner Kunstverein, Berlin, Germany

2009 "Nje Mechtaj I Nje Dumaj", Latvian Museum of Contemporary Art, Riga, Latvia 

2009 "Nje Mechtaj I Nje Dumaj", Krakow Museum of Contemporary Art, Riga, Latvia 

2007 "Black Fairy", Musee de la Chasse et de la Nature, Paris, France


PRIVATE COLLECTIONS

Andrew Cook private collection, Sydney, Australia
RESIDENCY AND GRANTS
2012 Kunstlerhause Bethanien, Berlin, Germany
2012 Resonance, Europeans sound art network, Berlin, Germany
André Vida (1974) is a Berlin-based composer and saxophonist. He has performed widely as a soloist and has collaborated with a diverse group of artists including Anthony Braxton, Kevin Blechdom, Tarek Atoui, Hildur Gudnadottir, Max Loderbauer, Rashad Becker, Nico Dockx, Ari Benjamin Meyers, and Jamie Lidell. He has worked closely with Anri Sala on performances at the Serpentine Gallery in London, the Roman Amphitheatre in Arles, Frieze London and the Havana Biennale.
Vida has been commissioned by The Tre-Centric Foundation, Global Art Forum 7 and 10, the 8th Berlin Biennale, Eyebeam, and the European Sax Ensemble to create new performance pieces focused on the medium and materiality of scoring. These works include explorations of interactivity, animation, lighting, and clothing design as elements of a compositional system based on the physicality of performance. A three volume set of his work from 1995 - 2011 was released on PAN, his piece for 41 saxophones, Minor Differences, was released on Entr’acte, and he has been featured in The Wire, TANK, Monopol, and Electronic Beats.
The exhibition is supported by the State Culture Capital Foundation, VKA, Embassy of Latvia in Germany, U.S. Embassy in Latvia and Mareks Hofmanis.
Kristians Brekte
Ēriks Apaļais
Andris Breže
Māra Brīvere
Kristiana Dimitere
Ivars Drulle
Barbara Gaile
Daiga Krūze
Ernests Kļaviņš
Verners Lazdāns
Zenta Logina
Krišs Salmanis
Aija Zariņa
Renaissance
Psychedelia in the Quiet Centre _ 25.02. - 12.04.2006.
Kristaps Ģelzis _ Home Video _ 10.12.2008. - 30.01.2009.
Kristīne Kursiša _ Out Of Control _ 26.09. - 22.10. 2009.
Contemporary Icons _ 27.10. - 14.12.2009.
ARCOmadrid 2010 _ Gints Gabrans _ 17. - 21.02.2010.
Jānis Blanks _ Solo show _ 27.03. - 30.04.2010.
Kristians Brekte _ The Madonnas of Riga _ 25.10. – 17.12. 2010.
Otto Zitmanis _ Otto`s Anger _ 14.01. - 01.03.2011.
Gints Gabrans _ Bloodlight _ 8.03. - 22.04.2011.
Ivars Drulle _ Based on True Stories _ 27.04. - 10.06.2011.
Zenta Logina _ Constellation _ 11.07. - 02.09.2011.
Ernests Kļaviņš _ War Between the Titans and Gnomes _ 28.11. - 02.12.2011.
Kristiana Dimitere _ Secular Resonance _ 12.12.2011. - 10. 02.2012.
Verners Lazdāns _ Nativus _ 15.02. - 23.03. 2012.
Kristians Brekte _ Absolute evil _ 2.04. - 17.05.2012.
Krišs Salmanis _ The fragility of trust _ 28.05. - 27.07.2012.
Andris Breže _ A Life of Peace _ 5.10.2012. - 09.01.2013
Daiga Kruze _ Hideout _ 11. 02. - 02. 04. 2013.
Kristians Brekte _ 15.04. - 17.05.2013.
Ivars Poikāns _ 9.09. - 8.11.2013
Ivars Drulle _ You’ll be pardoned forthwith _ 22.11.2013. - 24.01.2014.
Reinis Virtmanis _ Dis-sleeping _ 3.02. - 7.03.2014
Verners Lazdans _ 14.03. - 11.04.2014
Andris Eglitis _ Dirty Modernism _ 6.05. - 6.06.2014.
Metamorphoses of Molecular Life _ 20.06. - 15.08.2014
Kaspars Zariņš _ Without guidance _ 8.09 – 31.10. 2014
Kristians Brekte _ Dead Ain`t Gone _ 24.11.2014 - 09.01. 2015
Ernests Kļaviņš _ Diver _ 19.01. – 17.02. 2015
Aija Zariņa _ RA i nis _ 26.02. - 20.03. 2015
Popper Magazine _ Above the Ground _ 27.04. - 10.04. 2015.
Andris Breže, Krišs Salmanis _ 05.05 - 05.06. 2015.
Māra Brīvere _ Blue veins_ 22.06. - 24.07.2015.
Sarmīte Māliņa, Kristaps Kalns _ No Fear _ 7.09. - 11.11. 2015
Ojārs Pētersons _ 22.01.- 11.03.2016.
Camille Henrot, Māra Brīvere, Daiga Grantiņa _ The Harmony of Chaos _ 9.06.-5.09.2016.
Ēriks Apaļais _ Le Cygne _ 07.09. - 14.10.2016.
Ivars Drulle _ To My Homeland _ 30.11.2016. - 20.01.2017.
Verners Lazdans _ Tomorrow isn`t promised _ 06.02. - 03.03.2017.
Artissima
ArtBrussels 2016
Art Brussels 2015
viennacontemporary 2014
ArtBrussels 2014
viennacontemporary 2013
ArtBrussels2013
viennacontemporary
ARCOmadrid